項目名稱 | Yes art warehouse

設計單位 | 泛域設計

設計內(nèi)容 | 藝術空間

主案設計 | 朱嘯塵 Eason Zhu 

設計團隊 | 陳汝佳Rujia Chen、林安奇Anqi Lin

項目規(guī)模 | 106㎡

施工單位 |  INNERFIX 奕賦築造

項目攝影 | 奧觀建筑視覺

項目地址 | 杭州

完工時間 | 2020年10月

無限長的曲線，是宇宙的抽象，一頭連著無限的過去，另一頭連著無限的未來，中間只有無規(guī)律的隨機起伏，一個個高低錯落的波峰就像一粒粒大小不等的沙子?！度w》

The infinitely long curve, an abstraction of the universe, is connected to the infinite past at one end and the infinite future at the other end, with only irregular random ups and downs in the middle, and one high and low crest just like a grain of sand of different sizes.   ——<The Three-Body Problem>

▼ 建筑外觀

Yes Art Warehouse位于杭州長江中路52號天官創(chuàng)意園內(nèi)的一個獨棟小別墅中，藝術中心設計在原為老廠房的基礎上，改造為更鮮明的藝術工作室。

Yes Art Warehouse is located in a small, detached villa in Hangzhou Fengshan Gleaning Creative Park, transformed into a more distinctive art studio based on what was originally an old factory building.

▼ 建筑入口立面

疊加 

Overlay

磚，作為建筑與室內(nèi)的構思之源，在形與相、物與象的重構中融入環(huán)境。建筑物的部分漆成白色，其裸露的混凝土結構為工作室注入了一種舒緩的樸素感；部分運用了紅磚元素，延續(xù)了原有的豁達肌理感，保留屋面和建筑輪廓，以此為材質(zhì)基礎延續(xù)感官。

Brick, as a source of conception for architecture and interior, is integrated into the environment in the reconfiguration of form and phase, object and image. Parts of the building are painted white, and its exposed concrete structure infuses the studio with a soothing sense of simplicity; parts of the building use red brick elements to continue the original sense of expansive texture, preserving the roof and building contours as a material basis to continue the senses.

▼ 從一層望向入口

室內(nèi)空間中，大量的留白創(chuàng)造了簡約的空間表面，集中場景美學，放大空間故事。整體空間純凈整潔，強化人對空間框架和秩序的知覺。

In the interior space, a large amount of white space creates a minimalist spatial surface that concentrates the aesthetics of the scene and amplifies the spatial story. The overall space is pure and tidy, reinforcing one's perception of spatial framework and order.

延續(xù)建筑多面折角的元素，藝術中心設計通過金屬材料的對稱、翻折、穿透，藍白色塊的分割圍合成不同的立體空間，進行室內(nèi)外空間的貫通，將空間中的立體感與力量感完美展示。

Continuing the element of multi-sided folding of the building, through the symmetry, folding and penetration of metal materials, and the division of blue and white blocks to enclose different three-dimensional spaces, the interior and exterior spaces are connected, and the sense of three-dimensionality and power in the space is perfectly displayed.

▼ 展廳細節(jié)

四個圓形玻璃窗戶，如同通透的飛船駕駛艙，突破觀者視野局限的同時，最大限度提升其藝術表現(xiàn)張力。

The four round glass windows, like the cockpit of a transparent spaceship, break through the viewer's restricted vision while maximizing the tension of its artistic expression.

▼ 二層展廳