項目名稱｜北京CEDRUS小眾買手店

設(shè)計范圍｜空間設(shè)計、軟裝設(shè)計、燈光設(shè)計

項目地址 |  中國 · 北京工體

室內(nèi)面積｜350平方

設(shè)計時間｜2019年11月

完成時間｜2020年8月

設(shè)計主控｜林鎮(zhèn)

設(shè)計總監(jiān)｜Gaby.Teng

設(shè)計團隊｜蔡梓瑩

項目經(jīng)理｜鄭子良

施工跟進｜莫自豪

藝術(shù)軟裝｜梁蘊姿、莫思敏

主要材料｜微水泥、亞克力、磨砂金屬、黑色洞石

軟裝品牌 | CC-Tapis、Arper、9Viia、Flos燈具、Daniel Arsham藝術(shù)家產(chǎn)品

文章撰寫 | 龔妙君

攝影視頻｜覃昭量、龔妙君

特別鳴謝 | CEDRUS創(chuàng)始人團隊坤哥、YUKI

文稿翻譯 | 劉嘉欣

" 虛構(gòu)考古學(xué)，

將我們當下所見的投射到未來，

想象千年后的考古現(xiàn)場，

來思考過去、現(xiàn)在和未來。

Fictional archaeology,

Project what we see now into the future,

Imagine an archaeological site a thousand years later,

Think about the past, the present and the future.

—— Daniel Arsham "

有時人們會因為時間的流逝而望洋興嘆，它的每分每秒都在無聲無息中流走，不能捕捉、不被支配。因此，人們總是熱衷于以各種形式手法來表達對時間不斷流逝的特殊情結(jié)。本項目部位于北京朝陽區(qū)工體內(nèi)的店鋪裝修設(shè)計，業(yè)主是兩位日本留學(xué)服裝設(shè)計師，長年生活在日本受當?shù)匚幕挠绊?，回國發(fā)展的他們找到了DPD希望做一家不一樣的買手店，結(jié)合他們自己的設(shè)計信念詮釋于空間之中。

People sometimes feel helpless because of the passage of time. When they do things , they feel helpless because of the lack of strength or conditions. Every minute of it flows away silently and can't be captured and controlled. Therefore , people are always keen to express their special complex about the continuous passage of time for various forms . This project was located in Works Stadium , Chaoyang District, Beijing . The owners are two Japanese fashion designers studying abroad. They have lived in Japan for a long time. So they are influenced by the local culture, they are back to China and start to develop their industry and found DPD. They hope to be a unique buyer's shop and interpret it in the space with their own design beliefs.

△ Daniel Arsham作品 / Daniel Arsham的Instagram賬號

△ Project By Daniel Arsham / Instagram by Daniel Arsham

時間所塑造的世界

Time Created This World

美國當代藝術(shù)家Daniel Arsham善于重現(xiàn)過去、現(xiàn)在、未來的永恒時刻，讓堅固、穩(wěn)定的建筑體用時間詮釋著時間所塑造的世界。尋求一個存在于現(xiàn)實中的時間點——一個大家既能接受的，但又存在一定異常的廢墟世界。

An American artist of Daniel Arsham, his good at reproducing the eternal moments of the past, the present and the future, so that solid and stable buildings can interpret the world shaped by time. Looking for a time point existing in reality -- A world of ruins that is acceptable to all, but with some abnormality.

店鋪裝修設(shè)計設(shè)計師對空間的靈感來源是受到美國當代藝術(shù)家Daniel Arsham的未來考古風(fēng)影響，在設(shè)計上保留原建筑效果，打造出開裂的墻壁，它在空間中表達出考古空間的同時，將一道道墻壁視作為阻擋，斑駁的墻體被一種牽引力肆意地撕扯，當連接著天花板和地板之間的墻壁裂開，泥石崩塌，另一個不同世界將慢慢呈現(xiàn)出來，仿佛這是一個開裂的廢墟世界，也是空間與空間之間的交接間點。

The designer's inspiration is coming from an American artist of Daniel Arsham，also they are influenced by Arsham's ancient style. They are keeping original architectural effect on the design, they also create a cracked wall, While expressing the archaeological space in the space, it regards one wall as a barrier, and the mottled wall is torn by a kind of traction force. When the wall connecting the ceiling and the floor cracks, the debris collapses, another different world will display in slowly in orderly, as like this is a cracked world of ruins, it also the intersection point between space to space.

整個空間被一種無形的牽引力撕扯而裂開，當墻面被上下扯裂開時，中間形成一個維度空間，這是一個特殊的多重維度空間。設(shè)計師希望這個空間是充滿來力量感的，正因為力量存在于此才得以形成維度，從而把維度的概念在空間中滲透貫穿始終。

The whole space is torn apart by an invisible traction force. When the walls are torn up and down, a dimensional space is formed in the middle, which is a special multi-dimensional space. Designers hope that this space is full of a sense of power. It is because of the existence of power that the dimension can be formed and the concept of dimension can be permeated through the space.

△ 慢慢走近，人們從被撕扯開的墻縫中窺探出一個新的廢墟世界

△ Slowly approaching, people peep out a new world of ruins through the torn cracks in the wall

△ 運用各種簡約的線條方式，把空間的所有事物都串聯(lián)起來

△ Use a variety of simple lines to connect all things in space

整個空間的設(shè)計基于在各種實地考察和調(diào)研分析，最終結(jié)合創(chuàng)作構(gòu)思而得出店鋪裝修設(shè)計。設(shè)計師從商品中提取設(shè)計靈感，“解構(gòu)”手法并運用在空間的不同區(qū)域之中。空間的設(shè)計調(diào)性圍繞著暗黑、潮流、冷清、質(zhì)感，把黑、灰、白、木相結(jié)合應(yīng)用到空間中。

The design of the whole space is based on a variety of on-the-spot investigations and analysis, and finally combined with the creative ideas. Designers extract to design inspiration to commodities and use deconstruction in different areas of space. The design tonality of the space is around dark, trendy, cool, texture and pure, and also combination of black, gray, white and wood are applied to the space.

△ 為了達到理想的效果，墻面的設(shè)計制作特別邀請了中央美院優(yōu)秀雕塑團隊制作

△ In order to achieve the ideal effect, the wall designed and produced specially invited the outstanding sculpture team of Central Academy of Fine Arts to produce