項(xiàng)目名稱｜云上觀海售樓處設(shè)計(jì)

Project Name | View the sea on the cloud

空間設(shè)計(jì)｜李智翔、葛祝緯、林其緯、林亭妤、蕭偉富/水相設(shè)計(jì) 

Space Design | Li Zhixiang, Ge Zhuwei, Lin Qiwei, Lin Tingyu, Siu Weifu/Water Phase Desig

建設(shè)單位｜青鐵置業(yè)、華潤(rùn)置地青島公司、青島新凱達(dá)

Construction units | Qingtie Real Estate, China Resources Land Qingdao Company, Qingdao New Kaida

項(xiàng)目地址｜中國(guó) 青島市

Project Address | Qingdao, China

室內(nèi)面積｜1300㎡

Interior area | 1300 square meters

若歷史留在空間里的線索是建筑，音樂(lè)便是時(shí)間的余韻。“建筑是凝固的音樂(lè)”，德國(guó)作家歌德曾如此贊頌建筑給予人的體驗(yàn)。并論兩者，售樓處設(shè)計(jì)透過(guò)比例和結(jié)構(gòu)布局，引人產(chǎn)生和諧或不同強(qiáng)度的情緒震撼，占據(jù)抽象、具象兩端的藝術(shù)，本質(zhì)上卻擁有極致相似性。

If the clue of history left in space is architecture, music is the afterrhyme of time. "Architecture is frozen music", German writer Johann Wolfgang Von Goethe once praised the experience architecture gives people. Even with both of them, harmony or emotional shock of different intensity can be generated through proportion and structural layout. The art occupying both abstract and concrete ends has extreme similarity in nature.

透過(guò)垂直量體錯(cuò)落而成的進(jìn)退面，售樓處設(shè)計(jì)入口處迎來(lái)有機(jī)交疊輪廓，如五線譜層層起伏，歌頌著大海的無(wú)限姿態(tài)，浪花在擊上巖石的轟隆聲中滂薄散落。水平線延展如冬日寧?kù)o的海流，于蒼茫天際下緩緩蕩漾。售樓處設(shè)計(jì)以建筑曲度呈現(xiàn)音樂(lè)流動(dòng)之感，呼應(yīng)大海或輕快、或沉著，來(lái)回往復(fù)、高低強(qiáng)弱構(gòu)成浪花起伏姿態(tài)。

Pass through perpendicular quantity body strewn at random and become retreat and retreat face, entrance is greeted organic overlap outline, if staff layer upon layer rises and falls, euloquy is worn the infinite attitude of the sea, spoondrift is in the rumble sound that hits on the rock thin scatter. The horizontal lines stretch out like quiet winter currents, gently rippling beneath the vast horizon. The architectural curvature presents the sense of flowing music, echoing the sea, which is either light or calm. The back-and-forth, high and low strength form the wave undulation posture.

銜接兩座量體的廊道是幕間音樂(lè)，輕柔笛聲為主音，售樓處設(shè)計(jì)在壯闊開場(chǎng)的序曲與第二場(chǎng)域洶涌多變間，舒緩觀者情緒，海面平穩(wěn)，個(gè)人心緒因而得到放松。

The corridor connecting the two volumes is the interlude music, with the soft flute as the main sound. Between the grand opening prelude and the turbulent and changeable field of the second scene, the audience's mood is relieved, the sea is stable, and the individual's mood is thus relaxed.