空間察覺有融入爵士和朋克經(jīng)典的藍調(diào)，但設(shè)計的表露上并沒有刻意強調(diào)爵士與朋克的元素，藝術(shù)餐廳設(shè)計而是通過畫面的構(gòu)成和內(nèi)在光色節(jié)奏營造出一種冷調(diào)新潮的獨特氣質(zhì)。游離的墻體與迷離的光圈交界。

The space subtly incorporates classical jazz and punk blue tones, rather than deliberately emphasizing jazz and punk elements visually. It creates a unique cool, stylish ambience through the composition and the rhythm of light colors. The walls and light circles intersect with each other.

吧臺區(qū)域的情緒，迷幻的光影設(shè)計也更加大膽與大面的鋪陳，其目的是為了將場域情緒的力量擴大化，其爵士與朋克的內(nèi)在精神力量迷幻，熾熱的流動在空間，但又緩慢悠揚且激進的浪漫節(jié)奏。

The bold psychedelic lighting design in the bar counter area is intended to strengthen spatial emotions. The inner spirit of jazz and punk fills the space with passion, whilst generating a soft yet radical romantic rhythm.

迷幻波長的冷調(diào)藍光隱現(xiàn)在充滿險象的體塊情境中，藝術(shù)餐廳設(shè)計微妙的光影讓空間帶來喘息和微醺曖昧的情愫，對比反差的玫紅色霓虹燈光與餐吧空間高度的鏡像，形成強烈的色彩與光影對比，其魅惑的力量，為觀者創(chuàng)造了一個迷幻體驗情境；最終形態(tài)是一種自由的、魔幻的，激進的藝術(shù)氛圍。

Cool blue lights are hidden among irregular blocks, bringing a breathing and vague ambience to the space. The pink neon light in the bar counter area forms a strong contrast with the blue light, generating an illusionary experiential scenario as well as a free, magical and radical artistic atmosphere.

邊沿藝術(shù)包廂區(qū)，是設(shè)計中制造出的用餐儀式感，圍合而又巧妙的透光，其隱秘與矯揉的創(chuàng)作，皆在指引一種相對獨立與神秘的、窺探式的狀態(tài)，半私秘的用餐需求狀態(tài)決定了冷調(diào)的包裹與向里的形態(tài)構(gòu)造。

The artistic private dining area on the periphery adds a sense of ceremony to the dining experience. The semi-enclosed space and the subtly revealed light are intended to produce an independent and mysterious spatial status. Its cool tone and inward-facing spatial form are determined by customers' demands for semi-private dining experience. 

空間的離聚、開合，與餐吧的客群狀態(tài)對應(yīng)，三五成群與一二知己，其對立的場所感受與氛圍是進一步推敲細(xì)部空間感受，其無序的狀態(tài)旨在表達自由，而體塊的某種缺失，是激進又反派的一種表達，展現(xiàn)出時代矛盾又充滿未來感的沖突美感。

Either separated or converged, open or semi-enclosed, the spatial forms of different functional areas are responsive to the status and number of diners. For diner groups consisting of two friends or a few people, different spatial experience and atmosphere were designed. The disorder spatial status expresses a sense of freedom. The seemingly lack of certain blocks conveys radical and anti-convention expressions, showing a futuristic, contrasting aesthetic. 

所有空間狀態(tài)的表達的設(shè)計前提是思考，思考客餐人數(shù)的狀態(tài)，思考體驗者需要被帶動的某種情緒，或幾種復(fù)雜的反向的情緒，無論是迷幻、虛空、游離的正向情緒，亦或是——無序、游離、消極等的反向情緒。以此，AD艾克建筑始終以<誠實的情緒意識>為整場核心的思考開展設(shè)計，試圖表達空間中情感體驗的真實意義，而不是物理現(xiàn)實。

All spatial expressions in this restaurant are based on the consideration of the number of diners, and the thinking of what emotions needed to be stimulated, such as illusionary, empty and wandering positive emotions, or disorderly, wandering negative emotions. The overall spatial design was centered on the intention of evoking honest emotions of users, trying to highlight the true significance of emotional experience in the space rather that physical aspects.

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