每一個展廳內所呈現(xiàn)出來的空間氛圍都是不一樣的，分別對應了“起承轉合”的空間游走動線邏輯 —— 例如天地展廳是萬物生命溯源，因而是開朗的明亮的；六禮展廳重點介紹了男女在國內外歷史長河中所曾受到的性別壓迫及陳腐觀念，空間感受則是壓抑的昏暗的。

The spatial atmosphere presented in each exhibition hall is different, corresponding to the logic of the spatial movement line of "rising, inheriting, turning and combining". For example, the exhibition hall of heaven and earth is the source of life of all things, so it is bright and cheerful; The Liuli exhibition hall focuses on the gender oppression and stereotypes that men and women have suffered in the long history at home and abroad, while the feeling of space is oppressive and dim.

建筑設計提取其陰陽結合的抽象概念，空間室內設計提取人肢體的曲線語言，整個設計邏輯從景觀，建筑再到室內化成為了層層遞進的空間關系。每一部分的造型都有依有據，室內設計師不為造型而造型，而是通過可視化的藝術表達方式，將敘事化設計貫穿空間設計邏輯，動線及展廳布置邏輯。

通過這樣以身體藝術呈現(xiàn)的展廳設計，設計團隊希望可以吸引更多人們可以來參觀性文化展廳，了解相關的科普教育信息，尊重生命平等，社會也能更加關注重視女性在性關系中的平等權益及預防更多未成年對性教育的信息匱乏引發(fā)的悲劇發(fā)生。

Architectural design extracts the abstract concept of the combination of Yin and Yang, spatial interior design extracts the curving language of human body, and the whole design logic from landscape, architecture and then to the interior into a progressive spatial relationship. Each part of the modeling has a basis, not for modeling, but through visual artistic expression, the narrative design through the space design logic, moving line and exhibition hall layout logic.

By this body art exhibition hall design, the design team hopes to attract more people to visit sex culture exhibition hall, more information related to popular science education, respect for life is equal, society can pay more attention to pay more attention to the equal rights of women in the sex and prevention more minor tragedy caused by lack of information about sex education.