【中軸線，見山非山】

[The central axis,to see the mountain as it is not a mountain any longer ] 

唐代詩(shī)人于武陵在《尋山》中寫道：青山如有利，白石亦成塵。水闊應(yīng)無路，松深不見人。玻璃枯山石景意為內(nèi)心明靜與克制。撥云見山，符號(hào)化永遠(yuǎn)是設(shè)計(jì)人踏遍內(nèi)心的追尋，抑揚(yáng)頓挫，抑或記黑當(dāng)白，記白當(dāng)黑，這是空間的韻律、節(jié)奏與虛實(shí)關(guān)系。辦公室設(shè)計(jì)

Yu Wuling, a poet in the Tang Dynasty, wrote in his poem "looking for the mountain": If a green mountain is advantageous to human beings, even one white stone will turn to dust;If the lake is wide, there will be no way to the other bank ; If stepping into a deep pine forest ,there will be no people .The dry landscape made of glass means inner peace and restraint . Like dispelling the clouds to see the sun , symbolization is always a designer's life-long pursuit . Cadences or reckoning blank as inked while reckoning inked as blank ,are the relationship among the rhythm of space, rhythm and "Virtual and Essence" .