選擇–

Choice

正如主理人選擇這些中古產(chǎn)品一樣，中古店的核心并非有多少的貨源，而是在眾多的中古產(chǎn)品中，挑選出那些精品無(wú)暇的尖貨。恰到好處，正是方木的內(nèi)核。室內(nèi)亦是如此，在軟裝、藝術(shù)品、乃至裝飾物料的選擇上，我們也一直秉承著恰到好處的選擇方式，化繁為簡(jiǎn)的處理手法。

As the owner of the choice of these vintage products, the core of the vintage store is not how many products they can supply, but pick out those exquisite flawless goods in those designer bags.Just right, just the core of FMVingtage.

Interior space is also like that, We have always insisted on the appropriate treatment and selection of ways in soft outfit, artwork, even adornment material.

同時(shí)，不期而遇的主題概念，不僅指向消費(fèi)者與中古產(chǎn)品之間的關(guān)系。也是我們整個(gè)空間設(shè)計(jì)的精神核心，這種不期而遇的狀態(tài)更像是兩個(gè)時(shí)代的碰撞。又或是兩種設(shè)計(jì)語(yǔ)言的對(duì)話。老舊的中古產(chǎn)品在這里會(huì)遇見(jiàn)新的主人，重獲新生，與另一個(gè)時(shí)代的產(chǎn)物迸發(fā)出新的火花。而傳統(tǒng)的、古典的設(shè)計(jì)語(yǔ)言也會(huì)在這個(gè)當(dāng)下與現(xiàn)代的、更加簡(jiǎn)練的設(shè)計(jì)語(yǔ)言產(chǎn)生新對(duì)話。我們便是選擇用這一設(shè)計(jì)語(yǔ)言對(duì)整個(gè)空間進(jìn)行重塑。

At the same time, the theme concept of Encounter, not only points to the relationship between consumers and vintage products.It is also the spiritual core of our entire space design, which is more like the collision of two generations.Or,a conversation between two kind of design languages.Time-stamped vintage products will meet new owners, be reborn, and have a new spark with products from another era.The traditional and classical design language will also have a new dialogue with the modern and more concise design language.We use this kind of design language to reshape the whole space.

首先，展廳設(shè)計(jì)在裝飾形式上，我們將西方古典元素用于功能性的結(jié)構(gòu)設(shè)置之中，比如門窗、櫥窗、隔斷、吧臺(tái)、陳列等區(qū)域。而在空間結(jié)構(gòu)的重塑上，則大量運(yùn)用到現(xiàn)代、干練的處理手法。從某種意義上講，這兩種處理手法的邏輯關(guān)系一定是矛盾且沖突的。而我們卻極力想要把這種矛盾與沖突放置在一起，我們希望這兩種語(yǔ)言能真正的產(chǎn)生某種有意義的對(duì)話。時(shí)代向前，也并非是遺忘過(guò)去，我希望用我的方式去重新審視。所以，精致的木作、線條、造型也可以與裸露、簡(jiǎn)潔的水洗石、墻壁共處一室。而這樣的狀態(tài)是不違和的，甚至有種奇妙的味道。

First of all, in the form of decoration, we use western classical elements in functional structural Settings, such as doors , windows, partition, bar, display areas,etc. And in the remodeling of the spatial structure, a large number of modern and high-efficient processing techniques. In a sense, the logical relationship between these two processing techniques must be contradictory and conflicting. But we try to put these contradictions and conflicts together, and we want these two languages to actually produce some kind of meaningful dialogue. Moving forward is not about forgetting the past. I want to reexamine it in my own way. Therefore, delicate wood works, lines and shapes can coexist with bare and simple washed stones and walls.And such a state is not inconsistent, even a wonderful taste.