而設(shè)計手法的表達，則融入了對于重慶這座城市的深刻理解。起伏錯落的地理面貌、濃重的油彩韻味、以及極度包容的城市人文。奢侈品商店設(shè)計都將以我們所理解的方式融入在這一空間之中，所以，單一的風格表達將不再成立，取而代之的是一種融合的空間感知狀態(tài)。

Furthermore, the expression of design technique is integrated with a deep understanding of Chongqing. The undulating geography, strong paint charm, and the extremely inclusive urban humanities. Would be integrated into this space in a way that we understand, so the single style expression will no longer be established, instead, it will be a state of integrated spatial perception.

空間描述

Spacial deｓｃｒｉｐｔion

于是，我們將空間根據(jù)實際需求，拆分為了五個主要部分。

Consequently, we obey the practical needs of the space, split it into five major parts.

首先根據(jù)所處地形因素，我們將門頭分成了兩個空間，并實施了部分地面抬高的土建處理。右邊部分以退后的方式形成了內(nèi)外門廳的關(guān)系。這樣的處理不僅讓外部空間的關(guān)系更加豐富，也通過交通動線的設(shè)置，弱化了其C字型的建筑結(jié)構(gòu)關(guān)系。而左邊部分則被做成了封閉的休閑區(qū)域，該區(qū)域不僅滿足于休閑洽談的使用，較大的玻璃裝飾窗的設(shè)置，也將作為櫥窗的功能引導過往的游客看進來。同時，這樣的處理，還能完美的解決因室外坡度關(guān)系所埋下的雨水倒灌的隱患。

First of all, according to the terrain factors, we divide the door head into two spaces and partial ground elevated by the civil engineering treatment. The right part is in a backward mode to form the relationship between the inside and outside foyer. The management not only makes the relationship of external space plentiful but also weakens the “C” shape building structure by the setting of the pathway. When the left part is created into a closer rest part, it does not just satisfy the usage of leisure negotiation, the setting of a relatively larger glass decorative window also can function as a showcase to lead the passing tourists to see inside. Meanwhile, handling like this also can perfectly solve the hidden trouble of rainwater backward flow caused by outdoor slope relation.

當進入到主體空間后，我們通過抬高地臺的方式，以及結(jié)合柱體而形成的圍合式綜合服務(wù)空間，奢侈品商店設(shè)計將室內(nèi)主要展示空間又分為了兩個主要部分。前端部分為主要的對外展示及服務(wù)區(qū)域。在這個空間里，我們將綜合服務(wù)臺、箱包陳列、休閑洽談空間融為一體，這樣的設(shè)置，能讓消費者最為快速的感受到該商店所要展現(xiàn)給他們的服務(wù)內(nèi)容、美學標準、以及對話的可能性。這無疑是滿足銷售訴求與客戶快速認知的最佳表達方式。

After entering the main area, we apply the method of raise the platform, and the enclosed comprehensive service space formed by combining the columns, divide the inside main exhibition area into two major parts. Front part is principle external display and service area. In the space, we combine the integrated service desk, luggage display and Leisure negotiation part. This kind of setting can let consumers feel the service content, aesthetic standards and the possibility of dialogue that the store wants to show them most quickly. Undoubtedly, this is the best expression to satisfy sales demands and customers' quick cognition.

再往里走，則是我們可以營造的精神場域。原本可以搭建為兩層空間的層高關(guān)系得以保留。在這里，高挑的結(jié)構(gòu)柱與箱包陳列墻成為了視覺的主體。低趴的座位區(qū)與之形成鮮明的對比。而這種反差，正是我們想要營造的姿態(tài)。這與重慶這座城市的姿態(tài)不無關(guān)系?？鋸埖臉翘萑肟谂c造型門窗，則暗示著，仍有我們可以探知的神秘空間。

Walking further inside is the spiritual field that we can build. The story height relationship that could have been built as a two-story space has been preserved. Here, tall structural columns and luggage display walls have become the main body of vision. The low-lying seating area is in sharp contrast with it. And this contrast is exactly what we want to create. It is highly related to the posture of Chongqing. Exaggerated stair entrance and modeling doors and windows imply there still contain the mysterious area we can explore.

因其較為狹長的建筑結(jié)構(gòu)關(guān)系，我們利用最末端的建筑部分進行了雙層空間的搭建。這不僅是為了更好的營造空間情緒而產(chǎn)生的設(shè)計手段。更是為了保證更好的實際使用訴求。一層末端的部分被劃分為了VIP接待室、直播間、儲藏間、以及衛(wèi)生間的功能關(guān)系。而二層部分的設(shè)置，不僅是滿足了主理人與員工的辦公、收納，也通過一個樓道的搭建，為狹長的建筑空間畫上了一個開放性的句號。這種結(jié)束的狀態(tài)，能讓消費者身處其中時，有更多的畫面感與參與感。當然，這也有效的豐富了其空間關(guān)系，讓購物體驗更加豐滿。

Because of the relatively narrow deep building structure relationship, we build the double-layer space by using the end of the architecture. This is not only a design method to create space mood better. But also to ensure better practical use demands. The part at the end of the first floor is divided into a VIP reception room, live broadcast room, storage room and toilet. The setting of the second floor not only satisfies the office and accommodation of the manager and staff but also draws an open end to the narrow building space through the construction of a corridor. This ending state can make consumers feel more picture and participation when they are in it. Of course, it effectively rich the space relationship, makes the shopping experience fuller.

質(zhì)感表達

Texture expression

在質(zhì)感的表達上，我一如既往的偏愛著最為基礎(chǔ)的材質(zhì)關(guān)系。原木、水洗石、涂料、紅磚再次成為了空間的主角。這無疑是最為純粹的表達形式。但在迪佳的價值輸出方面，我們希望較之以往的同類作品，更具傳統(tǒng)價值的認知感受。所以，奢侈品商店設(shè)計在整體的設(shè)計中，我們?nèi)谌肓诉m度的石材、短絨、拼花、金屬等材質(zhì)。特別是在軟裝陳設(shè)的選擇上，價值感進一步提升。精致的做工、考究的五金、以及稀缺的面料，都為品質(zhì)的保證奠定了基礎(chǔ)。

On the texture expression, as always, I prefer the most basic material relationship. Log, washed stone, paint and red brick have once again become the key to space. No doubt, it is the purest expression formation. But in Tiga’s value output aspect, we hope to have more traditional cognitive feelings than previous similar works. So, in the overall design, we incorporate moderate stone, short pile, mosaic, metal, and other materials. Especially in the choice of soft furnishings, the sense of value is further enhanced. Exquisite workmanship, exquisite hardware, and scarce fabrics have laid the foundation for quality assurance.

雖然這看似老舊的質(zhì)感關(guān)系，并非光鮮亮麗。但，這便是我所希望呈現(xiàn)出來的空間?？梢园察o的、平和的屹立在那里。伴隨著時間、光影、人物的關(guān)系，而自在其中。每一刻，即是一幀，即是可以保存起來的當下。

Although the texture relationship seems old not glamorous. However, it should be the space I want to show. It can still in peaceful and clam. Among them, accompany with the relationship of time, light and shadow, character. Every moment is a frame, that is, the moment that can be saved.

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