在這里，我們進(jìn)行了更東方的闡述。

東方的貴氣在山的氣韻，水的富闊，景的幽美，此項(xiàng)目一面環(huán)山，三面環(huán)海，對(duì)于這樣的優(yōu)勢(shì)，我們即興奮又非常謹(jǐn)慎，我們把中國(guó)山水畫(huà)藝術(shù)語(yǔ)言運(yùn)用其中，企業(yè)文化會(huì)客廳設(shè)計(jì)不同的是進(jìn)行了立體化和抽象化表現(xiàn)！

A oriental interpretation is as follows.The oriental beauty is about the beauty of mountains and waters. Our project stands against the mountain of its west and cuddled by the sea surrounds it in other three directions. This geographic advantage makes us to be cautious when we applies the art of Chinese landscape paintings into our design. Compare to the two-dimensional paintings, we make our design to be three dimensional and abstract.

此次企業(yè)文化會(huì)客廳設(shè)計(jì)項(xiàng)目中我試圖顛覆以往尺寸的經(jīng)驗(yàn)，刻意去放大空間及細(xì)部的尺度。從平面布局到家具的厚重感提升，再到每個(gè)細(xì)節(jié)收口的放大，都在不斷升華對(duì)空間“新尺度”的全新嘗試。

In this project, I deliberately amplified the scale of space and the details of the project, which is something I have never tried.The amplification ranges from the layout to the furniture, then to every detail. It is a experimental attempt to improve the concept of the“new size”.

我們數(shù)日觀察全天室外光影投射到室內(nèi)的變化，同時(shí)，我們查閱了項(xiàng)目所在緯度一年陽(yáng)光高低的變化，企業(yè)文化會(huì)客廳設(shè)計(jì)讓墻面當(dāng)作畫(huà)板，讓裝飾線化作山陵，讓陽(yáng)光化作留白藝術(shù)呈現(xiàn)之上，展現(xiàn)了365種光影畫(huà)面的變化！希望對(duì)當(dāng)下看圖片論表象的設(shè)計(jì)丑態(tài)現(xiàn)象給予回應(yīng)，好的設(shè)計(jì)應(yīng)該基于場(chǎng)地、空間和人。

We spent several days observing the changes of the light and shadow projected from outside all day long. At the same time, we checked the changes in the sunlight level over the year at the latitude where the project is located. Using walls as panels, decorative lines as hills, and sunlight as painting brush, we present 365 variations of light and shadow on the wall! It is hoped that we can respond to the current scandal of design by looking at pictures, which should be based on site, space and people.

在整個(gè)空間中即使是作為點(diǎn)綴藝術(shù)擺件也費(fèi)盡巧思?；凇緝?yōu)雅的東方】的設(shè)計(jì)理念，我們也極力去彰顯項(xiàng)目整體設(shè)計(jì)思想的傳遞。企業(yè)文化會(huì)客廳設(shè)計(jì)沒(méi)有運(yùn)用常規(guī)項(xiàng)目中的插花等繁瑣的布景，而是突破性的把一些象征東方人飽滿、喜悅意愿的南瓜、冬瓜、石榴等，悉心而簡(jiǎn)約擺放融入到整個(gè)空間中。

Even as a decorative art piece in the whole space, it is a creative approach.Based on the oriental elegance, we tried our best to convey our designing thoughts through decorations.Instead of using the redundant decorations like flowers, we carefully blend pumpkins, white gourds and pomegranates that symbolize perfection and happiness of Chinese people into the space.