辦公會所設(shè)計會客廳里意外的出現(xiàn)了總設(shè)計師的辦公桌與閱讀桌，辦公、會議、接待、休閑沒有絕對的分割，體現(xiàn)了團隊自由、共享的理念。

The chief designer’s working and reading desk is unexpectedly placed in the reception area. There is no absolute division among office, conference, reception and leisure functions, embodying the concept of freedom and sharing.

夜幕降臨，都市開始變得安靜，冰冷的寫字樓里更是如此，我們正在否定這樣的秩序。辦公會所設(shè)計黑色的盒子里燃起了一道紅色的火光，潛意識中進入了另一個短暫的愿景與維度中；一次充滿誘惑，曖昧，虛幻的體驗出現(xiàn)在我們的行為感知中，這個過程的情感會因為人與人關(guān)系的不一樣而產(chǎn)生豐富的感性情緒；可結(jié)果都一樣，我們都在這個過程獲得驚喜減少恐懼。

As night falls, the city and the cold office building are quite down. AD ARCHITECTURE wanted to alter such normality through design. Flame-like red lighting bursts out of the black box, bringing users to another dimension awash with seduction, ambiguity and illusion. It evokes rich emotions, and brings more surprises rather than fear.

04/

自我與開放

Self and openness

物料展示區(qū)常規(guī)邏輯是最雜亂，私密的區(qū)域。這一切都源于不安，源于我們想要遮丑的內(nèi)心。我們將物料展示用肯定的態(tài)度，設(shè)置在空間的中心，同時是入口的位置，辦公會所設(shè)計中心能夠帶來高效的工作節(jié)奏，即合理性。同時展示著這些有關(guān)美的表情。表達著我們對這種不安的挑戰(zhàn)。

Material display area is often considered the most cluttered and private space in corporate office. This stereotype stems from an unease mindset that desires to hide the imperfection. However, with a confident attitude, AD ARCHITECTURE deliberately set the material display area at the center of the space, which is near the entrance. The central position of this area makes work more efficient. It shows aesthetic expressions, and reflects the design team’s challenge against uneasiness.