辦公區(qū)解放盒子牢籠，打破傳統(tǒng)隔間的辦公環(huán)境，部門之間沒有分割，只是通過位置進(jìn)行限定，能更好的提高溝通的效率與輕松的工作氛圍，辦公會(huì)所設(shè)計(jì)創(chuàng)造出更加平等與和諧的工作環(huán)境。設(shè)計(jì)師長期久坐且固定姿勢(shì)，我們?yōu)槊恳粋€(gè)伙伴配置了挪威原裝進(jìn)口品牌HAG辦公椅，這是一把可根據(jù)人的姿勢(shì)調(diào)整力學(xué)支撐的椅子，每一個(gè)伙伴的工作舒適度與健康是我們的財(cái)富的一部分，我們想通過細(xì)節(jié)強(qiáng)調(diào)溫度。

The office area breaks through the traditional working environment composed of several separate compartments, but applies an open layout instead. The working areas for different departments are designated but not separated, which improves communication efficiency and creates a more equal and harmonious working atmosphere. Considering that designers’ work is done mostly sitting, AD ARCHITECTURE has equipped each colleague with an HAG office chair imported from Norway. The ergonomic chair can adjust mechanical support according to users’ sitting postures. Colleagues’ comfort and health are a part of the company’s hidden asset. AD ARCHITECTURE intends to emphasize warmth and humanity through small details.

接待、物料展示、與辦公區(qū)用最簡潔的方式構(gòu)成了艾克建筑的辦公室，辦公會(huì)所設(shè)計(jì)入口處形成了迂回的動(dòng)線，摒棄大氣的前臺(tái)接待，讓辦公室整體保持一種更為私密的環(huán)境與神秘感。這是一種隱性的美好！

Reception area, material display area and office area constitute the AD ARCHTECTURE office in the simplest manner. The twisting circulation route formed at the entrance and the relatively low-profile reception area create a private, mysterious spatial atmosphere, and reveal a hidden beauty.

05/

黑

Darkness

暗黑色系的辦公室，這是一個(gè)具有爭議的狀態(tài)，另我們驚喜的是，這樣的暗黑系，辦公會(huì)所設(shè)計(jì)更好地將視覺引到室外的美景，更好的與自然進(jìn)行互動(dòng)。簡潔的材料體系，黑色洞石的效仿意大利藝術(shù)漆，體現(xiàn)了空間的份量感，德國芬尼特地毯的運(yùn)用，強(qiáng)調(diào)了舒適度、吸音及特殊的地面質(zhì)感，不銹鋼與燈光的結(jié)合，強(qiáng)化了空間的科技感與場(chǎng)景感。

Usually dark-toned offices are controversial. The dark hue of AD ARCHITECTURE office surprisingly draws the sight line to the beautiful scenery outside, hence enhancing the employees’ interaction with nature. The simple material scheme and travertine-texture Italian coatings reveal a sense of weight of the space. FINETT carpet from German features comfort, excellent sound absorption performance and fine textures. The combination of stainless steel and lighting enhances the sense of technology of the space and meanwhile enriching spatial scenes.

AD OFFICE的一次嘗試，是一次有計(jì)劃的沖動(dòng)行為。辦公會(huì)所設(shè)計(jì)在解決工作環(huán)境的同時(shí)，用冒險(xiǎn)的態(tài)度試圖去觸碰未來辦公產(chǎn)品的可能性與溫度的建設(shè)。表現(xiàn)其獨(dú)具先鋒性的“極簡派藝術(shù)”空間設(shè)計(jì)語言，融貫東西方的認(rèn)知。

The design of this office is an impulsive but intentional attempt. AD ARCHITECTURE boldly explored the possible forms of future offices while also incorporating humanity to the workplace. The project reveals minimalist, artistic design languages, whilst integrating Eastern and Western ideas.

人心與空間同振共鳴，即是遇見美好

Here, the mind resonates with the space, and encounters good things.

06/

復(fù)古與時(shí)尚

Retro style and fashion

CHS 安藤忠雄設(shè)計(jì)的TA001T｜Dream Chair、Cassina、Driade、HAG；SINGCHAN 陳星宇設(shè)計(jì)的Fragment落地?zé)?；國際個(gè)性品牌家具的運(yùn)用，復(fù)古與時(shí)尚的碰撞，闡述的是設(shè)計(jì)師對(duì)設(shè)計(jì)品質(zhì)與設(shè)計(jì)視角的獨(dú)特性。

Furnishings from various international brands are brought into the office. The TA001T Dream Chair designed by Tadao Ando, furniture pieces from Cassina, Driade and HAG, and Fragment floor lamp designed by SINGCHAN, reveal the collision between retro style and fashion and embody the pursuit of design quality.

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