在“意堂·知已廳”包間里；非一眼看盡。而是，極簡的空間如畫般地將畫意、畫理、畫境與空間相融！

In the private room of "Yitang · Zhiyi Hall"; Not at a glance. However, the minimalist space will be picture-like painting, painting, painting and space integration!

回到《思源書館》空間，“移竹當(dāng)窗，分梨為院”園林手法與《雅談閣》來隔斷。溶溶月色，瑟瑟風(fēng)聲，格柵式的窗簾透過光，疏影橫斜 而入，會(huì)所裝修設(shè)計(jì)映照在書桌上， “光”的生機(jī)主義娓娓道來。拿起書本閱讀，彷佛處于山居般讀書生活場(chǎng)景。

Back to "Siyuan Library" space, "move bamboo when the window, pear for the courtyard" garden techniques and "Ya Tan Pavilion" to partition. Dissolving moonlight, rustle the wind, the curtain of grid type passes through the light, thin shadow is cross and enter, mirror is shining on desk, "light" vitality doctrine is written down. Pick up the book to read, as if in the mountain like reading life scene.

藝術(shù)——訴求衍生出藝術(shù)的穿透力

美食——品嘗中華文化與智慧情境

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