芳香區(qū)對(duì)應(yīng)廣泛的自然環(huán)境，是公共且廣域的空間；社交客廳范圍相對(duì)更小，但也屬于公域范疇，私宴會(huì)所則是這一空間序列中最為私域的體現(xiàn)。這些要素從廣域，經(jīng)由公域，滲透進(jìn)私域環(huán)境中：同樣的自然要素，在不同的軟包風(fēng)格和場景想象里，所擔(dān)任的角色也不盡相同。

The aromatic area corresponds to the broader natural environment and is a public and extensive space; the social living room is smaller in scope but also belongs to the public domain, and the private dining room is the most personal expression of this sequence of spaces. These elements permeate the private environment from the broad through the public domain: the same natural elements play different roles in different upholstery styles and scenarios.

△ 既見（攝影：張錫）

- 茶 - 社交客廳"Tea" - Social Living Room

△ 品茶圖【文征明】

中國人講以茶會(huì)友，飲茶是傳統(tǒng)文人墨客交流和休憩時(shí)的主要活動(dòng)。作為休息、社交、過渡的空間，社交客廳區(qū)域以中式禪意的工筆畫為初始意向，藍(lán)城花海芳香小鎮(zhèn)會(huì)所設(shè)計(jì)整體設(shè)計(jì)風(fēng)格典雅幽靜，實(shí)現(xiàn)意識(shí)精神層面的閑適與安逸。

Chinese people say tea to meet friends, drinking tea is the traditional literati communication and leisure time of the main activity.As a space for rest, socialising, and transition, the social living room area takes Chinese Zen-style brush painting as its initial intention, and the overall design style is elegant and quiet, realising the leisure and contentment of the spiritual dimension of consciousness.

△ 若茶（攝影：張錫）

室內(nèi)吊頂以中式坡頂為原型進(jìn)行簡化，呼應(yīng)禪意這一主題。藍(lán)城花海芳香小鎮(zhèn)會(huì)所設(shè)計(jì)不同于展示區(qū)對(duì)自然元素的對(duì)話和運(yùn)用，社交客廳的自然元素主要通過落地窗實(shí)現(xiàn)人與自然的視線交匯。

The interior ceiling is simplified with a Chinese sloping roof as a prototype, echoing the theme of Zen. Wood is also used as the primary material. Unlike the dialogue and use of natural elements in the display area, the natural elements in the social living room are mainly through the floor-to-ceiling windows to achieve the intersection of human and natural sight lines.

△ 若茶 (攝影：張錫）

△ 若茶 (翰墨視覺：張家寧）

藍(lán)城花海芳香小鎮(zhèn)會(huì)所設(shè)計(jì)同樣是以木質(zhì)材質(zhì)為主，材質(zhì)顏色略深于芳香展示區(qū)，再現(xiàn)了中式傳統(tǒng)文化中的顏色趨向，空間整體也更加正式，寧靜致遠(yuǎn)。

Still, the material's colour is slightly darker than the aromatic display area, reproducing the colour trend in traditional Chinese culture, and the space as a whole is more formal and tranquil.