項目名稱:百川影城設(shè)計-深圳大族店

主創(chuàng)設(shè)計師：梁寧森，吳岫微

設(shè)計周期：2020.4-2020.7

竣工：2021.3

項目地址：深圳龍崗區(qū)坂田大族云峰商場3-4層

面積：2600㎡

主材：大骨料水磨石、金屬隔柵、仿水磨石瓷磚、聚酯纖維吸音板、肌理涂料

業(yè)主：百川影城

撰文：楊振鈺

攝影師：聶曉聰

戲劇性的色彩之美

DramaticBeauty ofColour

百川影城設(shè)計–深圳

BaichuanCinema, Shenzhen

在單一的色彩條件下加入跳躍性色彩，其帶來的視覺沖擊力蘊含著飽滿的能量，在本次影城設(shè)計項目中，MOC運用相同的手法，將空間整體以黑白灰的主調(diào)呈現(xiàn)，通過空間結(jié)構(gòu)、材質(zhì)、光影的變化，使空間呈現(xiàn)一種黑白電影獨有的質(zhì)感，并在空間中凸顯唯一的色彩——亮橙色，為空間注入活力，也是對經(jīng)典電影作品的致敬。

The visual impact of adding jumping colours to a single colour condition contains full energy. In this project, MOC uses the same technique to present the space in the main tone of black, white and grey, giving it a unique texture of a black and white film through changes in spatial structure, materials, light and shadow, and highlighting the only colour in the space, bright orange, to energise the space and pay tribute to classic film works.

三層主入口概覽 Overview of the Main Entrance on the Third Floor

從商場公區(qū)看向影城設(shè)計

View of the Cinema from the Public Area of the Mall

電影《辛德勒的名單》，全片以黑白攝影為主調(diào)，片中唯一的色彩便是那個穿紅衣的小女孩，辛德勒每一次對她的注視，都更堅定了信念。她象征著無辜而脆弱的生命，也象征著戰(zhàn)勝邪惡的勇氣與力量，代表的是僅存的希望，這個處理場景的方法堪稱電影史上的經(jīng)典。

The filmSchindler's List is shot in black and white, with the only colour in the film being the little girl in the red dress, whose conviction is reinforced with every glance Schindler gives her. She is a symbol of innocent and fragile life, but also of courage and strength to overcome evil, representing the only hope left. This approach to the scene is a classic in the history of cinema.

《辛德勒的名單》電影畫面

Image in Schindler's List

入口 Entrance

大廳區(qū)域，橙色的加入為空間注入了活力

In the lobby area, the addition of orange brings the space to life.

售票臺細(xì)節(jié)  TicketCounter

影城設(shè)計淺灰色的地面，中灰色的墻面，深灰啞光的肌理天花，多層次的灰度結(jié)合穿插在空間中的銀灰色金屬網(wǎng)造型，圓環(huán)形的燈具被安置在金屬網(wǎng)上方，透過網(wǎng)格呈現(xiàn)出光暈：不同層次的灰度、不同的材質(zhì)質(zhì)感與光影，為空間構(gòu)建出豐富的如同黑白電影般的質(zhì)感。

The light grey floor, the medium grey walls, the dark grey matte texturedceiling, the multi-layered shades of grey combine with the silver grey metal mesh interspersed in the space. The circular light fixtures are placed above the mesh, showing a halo of light through the mesh. Different shades of grey, different textures of materials, light and shadow, building a rich black and white film-like texture for the space.

虛實結(jié)合的體塊關(guān)系  

Blocks in a Fictitious and Realistic Comparison

天花上金屬網(wǎng)內(nèi)的環(huán)型燈具，與金屬網(wǎng)之間保持一定距離，加上金屬網(wǎng)本身的厚度，影城設(shè)計在顧客走動的過程中，實體的光源與映射在金屬網(wǎng)上的光暈其實是在不停產(chǎn)生變化的，這也對應(yīng)了電影作為一種光影藝術(shù)的屬性。